You’re about to listen to the soundtrack of my work. I found out that there was a lot more, of what I could free, inside this cage.Īnd this lot makes a lot of noise inside this cage, making it pulse. I just had to free it from the cage that held it. It’s just feelings expressed in noises, melodies, poetry, guitars, guitars…Īctually, I believe there was not a start, it was always inside me. Therefore, Pregos, Cruzes e um Saco de Moedas is not a christian band and not even a band. Text by Pregos, Cruzes & Um Saco de Moedas:
Henrique - synthesizer, flute, guitar, bass, keyboards, strings, production, art direction, mastering, mixing, sound engineering, concrete sounds and stochastic methods. Tracks 3, 4 and 5: "experimentaçõesinvisíveis" album (2009)ĭ. The musical tsuris of the Master Chief seems positively sedate in comparison to the Queen’s musical identity swings in STARCRAFT II, whose opportunities give extra creative thrust to dudes usually handed broadswords when scoring warrior women running about in a videogame dungeons and dragons fantasy land."Panacea" & "experimentaçõesinvisíveis" - Pregos, Cruzes & Um Saco de Moedas But those grinding atmospheres segue to cool, lushly accelerating beats, a chorus conveying strategic gameplay as the stuff of the cosmic, with a ragged, heroic sensibility that even gets a bit of fife and drum nobility. Sarah Kerrigan’s treated like an ersatz Lisbeth Salander, bringing on the lizard beast hurt with industrial metal rock grunge. Its exceptional cut scenes generate one of the more crazily stylized scores for the genre, starting off by mashing a galaxy-spanning orchestra by way of the grunge sensibility of its sword and spine-slinging heroine. WORLD OF WARCRAFT‘s band of scoring brothers Neal Acree, Glenn Stafford, Derek Duke and Russell Brower get their sci-fi grlll power on for the Queen of Blade’s great escape in this score to STARCRAFT II: HEART OF THE SWARM that accompanies the expansion pack of WINGS OF LIBERTY.
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